Tag Archives: Interactive music composition

RHYME with strong imprints at Music Therapy conference

Posted on 03/08/2015 by Birgitta

The RHYME project contributes with three papers, one poster and a round-table to the 8th Nordic Music Therapy Congress. The theme of the conference is “Music therapy across contexts” and is arranged in Oslo at the Norwegian Academy of Music from … Continue reading →

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RHYME at NIME 2014

Posted on 04/08/2014 by Birgitta

On 3rd July RHYME member Anders-Petter Andersson made a presentation of a paper by himself, Birgitta Cappelen and Fredrik Olofsson at NIME 2014. The title of their paper is “Designing Sound for Recreation and Well-Being”.  NIME, New Interfaces for Musical Expression, … Continue reading →

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RHYME at ESSA 2014

Posted on 02/07/2014 by Birgitta

On 29th of June RHYME member Anders-Petter Andersson held a presentation on the ESSA 2014 Conference. ESSA is the European Sound Studies Association annual conference. This time the Conference name was Sound Studies: Mapping the Field and was held in … Continue reading →

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Creating an Open Musical Experience

Posted on 30/05/2014 by Birgitta

The RHYME development team are currently working on creating the music for the 4th generation of RHYME Co-creative Tangibles. The goal is to meet the demands from the users, music therapists and focus groups, to choose the music of their … Continue reading →

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Developing 4th generation, distributed and social media

Posted on 10/10/2013 by Birgitta

Currently we are working intensively with the development of the 4th generation of Co-creative Tangibles. The 4th generation of Co-creative Tangibles are in the project plan defined as “distributed and social media”.  In the RHYME project this means that the users … Continue reading →

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RHYME PhD defended, approved and celebrated

Posted on 26/10/2012 by Birgitta

Friday October 26, RHYME member Anders-Petter Andersson, defended his PhD in musicology. The thesis with the title Interactive Music Composition explores the design dimensions of interaction, narrative structure, composition rule and music in Generation 1 of RHYME’s co-creative tangibles, ORFI. … Continue reading →

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